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How to mix skin tones with acrylic paint

Skin tones come from a small palette. Red, yellow and white make the base, earth colors like burnt sienna and burnt umber give depth, and a touch of blue cools and darkens. Start from the mix closest to the person you are painting and adjust from there, one paint at a time.

A palette for skin

Titanium white, yellow ochre, a warm red such as cadmium red light, burnt sienna, burnt umber and ultramarine blue cover nearly every skin tone. Yellow ochre and burnt sienna do much of the work, because they are already warm and slightly muted, close to how skin looks.

Starting mixes for skin tones (adjust to your reference)
Skin toneStart withThen
LightWhite with a little yellow ochre and redA touch of burnt sienna for warmth
MediumYellow ochre, burnt sienna and whiteA little red if it looks gray
OliveYellow ochre, white and a little burnt umberA tiny touch of green or blue for the olive cast
DeepBurnt umber and burnt siennaUltramarine to deepen, red or ochre to warm

Adjust the undertone

  • Too pink: add yellow ochre or burnt sienna.
  • Too yellow: add a little red.
  • Too orange or bright: add a touch of blue or green, which sit opposite it on the color wheel.
  • Chalky or gray: there is too much white. Add the base color back rather than more white.

Shadows and highlights

Make shadows from the skin mix itself plus burnt umber or a little ultramarine, so they stay part of the same skin. Black tends to make shadows look dirty. For highlights, add white with a touch of yellow ochre or red, so the light parts stay warm instead of turning chalky.

Skin also changes across a face: cheeks, nose and ears are often warmer and redder, the jaw and temples cooler. Mix two or three variations of the base and place them where you see them in the reference.

Check against the reference

Put a dab of the mix right next to the skin in your reference, or on a printout, and compare them in the same light. Acrylic dries a little darker, so judge the final match on a dry dab.

Sources and further reading

Match the skin in your reference

Photograph your reference, or tap the skin in Study a reference, then photograph your mix. PaintCue says whether it’s too light or dark, too vivid or dull, and which way the hue leans, and names one paint to add next from the paints you own.

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See how PaintCue works
PaintCue Match a color result: an olive target next to a vivid yellow-green mix, marked Still a way off, with lightness too light, strength too vivid, and the advice to add a little burnt umber or dark red
Example records in PaintCue.

Questions

What colors make skin tone?

Red, yellow and white make a basic skin tone. Yellow ochre, burnt sienna and burnt umber make it more natural and let you mix deeper tones, and a little blue cools or darkens it.

How do I darken skin tone without black?

Add burnt umber, or a little ultramarine blue to the skin mix. Both darken it and keep it looking like skin, where black tends to make it gray.